掌握Windows游戏编程大师第二版：DirectX与深度技术详解

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《Windows游戏编程大师技巧（第2版）》是一本由著名游戏程序设计大师André LaMothe撰写的经典著作，专为那些想要在Windows环境中深入学习和开发游戏的程序员量身打造。该书于2002年6月19日由Sams Publishing出版，拥有1088页的丰富内容，适合希望通过系统学习来提升技术能力的读者。本书共分为4个部分，涵盖15个章节，以及6个附录，提供了详尽的指导和实例。作为一本入门到进阶的教程，它首先引导读者步入Win32编程的世界，这是Windows平台上游戏开发的基础。Win32编程涉及了操作系统级别的接口，让开发者能够充分利用Windows的资源和特性。书中特别关注DirectX，这是一个强大的图形、声音、输入和音乐处理库，对于游戏开发者来说至关重要。作者详细讲解了DirectX的主要组件，包括DirectDraw用于2D图形渲染，DirectSound负责音频处理，DirectInput处理用户输入，以及DirectMusic提供音乐和音效支持。这些技术的深入理解对于实现游戏的交互性和沉浸感至关重要。除了硬件驱动技术，LaMothe还深入探讨了游戏算法、多线程编程、人工智能(AI)以及物理建模等高级主题。他介绍了如模糊逻辑、神经网络和遗传算法等AI技术，这些对于构建具有智能行为的游戏角色和决策机制至关重要。同时，他对物理模型的讲解，帮助开发者理解和模拟真实世界的物理效果，提升游戏的真实感。《Windows游戏编程大师技巧（第2版）》不仅提供了丰富的理论知识，还有大量的实例和代码示例，便于读者在实践中理解和掌握各种技巧。无论是初学者还是经验丰富的开发者，都能从中找到提升自己技能的宝贵资源。因此，这是一本不可多得的Windows游戏开发者的必备参考书。

I l@ve RuBoard

About the Technical Editor

David Franson been a professional in the field of networking, programming, and 2D and 3D graphic arts

since 1990. In 2000, he resigned his position as Information Systems Director of one of the largest

entertainment law firms in New York City to persue a full-time career in game development. Currently,

he is authoring 2D Artwork and 3D Modeling for Game Artists, set to be released July 2002.

I l@ve RuBoard

Acknowledgments

I always hate writing acknowledgements because there are simply too many people involved in a book to

mention everybody and give them proper thanks. However, here goes once again, in no particular order.

I would first like to thank my parents for having me late in life, causing me to have so many genetic

mutations that I don't need to sleep and I can work continuously without a break. Thanks, Mom and Dad!

Next, I want to thank all the people at Sams Publishing for letting me have my way with the book.

Making corporate America do anything different is surely a strain, and I am Mr. Nonconformist, but that's

what it takes if you want to break new ground. Particularly, I want to thank the acquisitions editor, Kim

Spilker, for listening to my artistic/marketing concepts and making them happen; George Nedeff, the

project editor, for making sure that my policy of less editing is more was taken seriously; Dan Scherf,

the media specialist, for making sure that all the programs made it to the CDs; and Mark Renfrow, the

development editor, for making sure that the hundreds of figures and thousand-plus pages of manuscript

didn't get mangled; and last but not least, I would like to thank David Franson, the tech editor.

And of course, thanks to all the other editors and formatters that worked on the book. It seemed like all

of you were playing musical chairs during editing, but you all did a fantastic job. And of course, for this

new revision of Tricks, Michael Stephens was instrumental in making it happen. The original book was on

a really rushed schedule before, so there were a great many details that we never had time to address,

but this revision will hopefully clear those issues up along with add some new content. At least that's the

plan!

Next I want to thank the DirectX group at Microsoft, especially Kevin Bachus, and Stacey Tsurusaki for

helping with the acquisition of the latest DirectX SDK stuff, along with making sure that I was sent to all

the major DirectX parties. Very important to send me to parties; that's a good thing.

The next group I want to thank are all the companies that had something to do with this book in one way

or another, whether it was a piece of software or whatever. The major players are Caligari Corporation

for the use of TrueSpace, JASC for the use of Paint Shop Pro, and Sonic Foundry for the use of Sound

Forge. I would also like to thank Matrox and Diamond Multimedia for demo 3D accelerators, Creative

Labs for sound cards, Intel Corporation for VTune, Kinetics for 3D Studio Max, and Microsoft

and

Borland

for their compiler products.

I'd like to thank all of my friends that I made contact with during this hellish production. To all the guys

at Shamrock's Universal Submission Academy: Crazy Bob, Josh, Kelly, Javier, Big Papa, Liquid Rob,

Brian, The Puppet, and everyone else. To Mike Perone, for always getting me that hard-to-find piece of

software at a moment's notice. Oh yes, to my friend Mark Bell or as I like to think of him, Mr. Happy you

still owe me $180 from that ski trip eight years ago! (And I can't stand always being right anymore;

please try harder, Mark. I can't keep taking your money.)

Next I want to thank all the contributing editors who allowed me to put their articles on the CDs. If it

weren't for you guys, these poor readers would have nothing more then my eccentric prose to read. A

special thanks goes to Matthew Ellis, the author of the Direct3D book on the CDs, and to Richard Benson

(Keebler) for doing the foreword to the book.

Thanks to everyone!

I l@ve RuBoard

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