精通Photoshop CS5：开发实战指南

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"Photoshop CS5 开发教程是一本深入指南，由Les Snider编著，版权属于2010年的Lesa Snider，全书享有知识产权。这本书是《The Missing Manual》系列的一部分，专门针对Adobe Photoshop CS5这款强大的图像编辑软件进行了详尽的讲解和实用技巧分享。作为第一版于2010年5月发布，它旨在填补用户手册可能缺失的细节，使读者能够更轻松地掌握这款软件的各项功能。该教程涵盖了Photoshop CS5的核心功能，包括图像编辑、绘图工具、图层管理、色彩调整、滤镜应用、文字排版、图层样式以及高级图像处理技术。书中强调了实际操作和实例演示，让学习者能够在实践中快速提升技能。无论是设计专业人员、广告创意人员，还是摄影爱好者，都能从中找到适合自己的学习路径。《Photoshop CS5: The Missing Manual》的特点是通俗易懂，避免了过于专业的术语，注重实用性，适合初学者入门，也适合有一定基础的用户进一步提升效率。此外，作者还提到了书籍在全球多国的发行版本，如北京、剑桥、法恩汉姆、科隆、 Sebastopol、台北和东京，以及O'Reilly Media网站提供的在线版本和购买信息，方便读者根据需求选择合适的阅读方式。在版权方面，O'Reilly Media明确指出，书籍只能用于教育、商业或销售推广目的，并且鼓励读者通过官方渠道获取更多信息。书中还提到了一些制造商和卖家使用的商标，这些设计通常用以区分其产品。《Photoshop CS5 开发教程》是一本不可或缺的参考资料，它以用户友好的方式揭示了Photoshop的强大功能，帮助读者跨越技术障碍，成为Photoshop的熟练使用者。无论你是想提升现有技能，还是初次接触这个软件，这本书都是一个理想的起点。"

xiv

The Missing Credits

About the Author

Lesa Snider is on a mission to teach the world to create—and use!

—better graphics. She’s a stock photographer and chief evange-

list for iStockphoto.com, and founder of the creative tutorial site

GraphicReporter.com. Lesa is the author of many video training

titles including “From Photo to Graphic Art,” “Practical Photoshop

Elements,” and “Photoshop Elements 8 for Photographers” (all by

KelbyTraining.com), as well as “Graphic Secrets for Business Professionals” (Lynda.

com). She writes a regular column for Photoshop User, Elements Techniques, and

Macworld magazines, and contributes frequently to CreativePro.com and Layers

magazine. Lesa is also a long-time member of the Photoshop World Dream Team

of instructors and can be spotted teaching at other conferences such as Macworld

Expo, UCDA Design Conference, Geek Girl Boot Camp, Graphics of the Americas,

the Santa Fe Workshops, and many more.

During free time, you’ll find her carving the twisties on her sportbike or hanging

with fellow Apple Mac enthusiasts. Lesa is a proud member of the BMWMOA, F800

Riders Club, and the Colorado Mac User Group (CoMUG.com) a.k.a the Boulder

Mac Maniacs. Email: lesa@graphicreporter.com.

About the Creative Team

Dawn Mann (editor) is assistant editor for the Missing Manual series. When not

working, she likes rock climbing, playing soccer, and causing trouble. Email: dawn@

oreilly.com.

The Missing Credits

  

Nellie McKesson (production editor) lives in Brockton, Mass., and spends her spare

time studying graphic design, making t-shirts (www.endplasticdesigns.com), and

fighting the endless battle of DIY home renovations. Email: nellie@oreilly.com.

Nancy Reinhardt (copy editor) Nancy Reinhardt is a freelance copy editor living

in the Midwest, who enjoys swimming, biking, and history. She is surrounded by

electrical engineers and yet she is “...still fairly certain that given a cape, a wand, and

nice tiara, she could save the world,” (to quote Leigh Standley). Email: reinhardt8@

comcast.net.

Ron Strauss (indexer) is a full-time freelance indexer specializing in IT. When not

working, he moonlights as a concert violist and alternative medicine health consul-

tant. Email: rstrauss@mchsi.com.

Robert Barnes (technical reviewer) is an award-winning digital artist and photogra-

pher. He lives in Santa Fe, NM and owns an online gallery (www.barnesgallery.com).

Robert offers Media Arts Services including DVD production, scanning, photo-

restoration, and individual instruction in Photoshop to an expanding client base.

He works internationally as a contract photographer and was Chief Photographer at

Turner Broadcasting and CNN for 14 years before spending 10 more years at Apple,

Inc. Email: robert@barnesgallery.com.

Shangara Singh (technical reviewer) is a photographer and a heavy Photoshop and

Lightroom user. He owns (www.examaids.com) and is the author of the popular

Photoshop and Lightroom ACE Exam Aids—study guides for people who want to

become Adobe Certified Experts. He also shoots stock and has his own stock-photo

website: (www.mpxstockimages.com).

Acknowledgements

This book is dedicated to the Greek god of wine, Bacchus, and all the brave little

grapes who so valiantly sacrificed their lives so this book could be written. In vino

veritas!

I’d like to express galactic thanks to iStockphoto.com for providing most of the beau-

tiful imagery you see throughout this book: An image really is worth a thousand

words (if you ever need high-quality, affordable graphics, iStockphoto.com is the

way to go!). A big hug and thanks to David Pogue who roped me into this project

and so graciously wrote the foreword of this book (while we were in disturbingly

rough seas teaching on a cruise ship, no less!). To Scott and Jeff Kelby for believing

in me and nurturing my career in immeasurable ways throughout so many years.

To John “Bynkii” Welch for convincing me that I should say yes to taking on this

monstrous project, and to Derrick Story for his wisdom and guidance before I got

started. Also, big jugs of Umbrian vino rosso go to Pete Meyers and Dawn Mann for

editing this book and keeping me on track. Their input has made me a better writer

and I will forever be grateful to them both.

The Missing Credits

xvi

  

You would not, however, be holding this book if it weren’t for Jeff Gamet, managing

editor of MacObserver.com, contributor to Design-Tools.com, and author of De-

signers Guide to Mac OS X (Peachpit), who cleared his schedule to help meet the

world’s ugliest deadline, and for staying up with me on iChat more nights than I can

count (it’s one big blur). Here’s to the sugar-free Red Bull and the Mozart station we

made on Pandora.com that got us through the last of it! And when I ended up work-

ing straight through my Italian vacation, I’m really glad you kept me from jump-

ing overboard while in the middle of the Mediterranean. In hindsight, I shudder to

think of all the shopping in Firenze I would have missed.

Special thanks to Richard Harrington (www.photoshopforvideo.com) for his help on

the actions chapter, to Taz Tally (www.taztallyphotography.com) for helping with the

print chapter, to Marcus Conge (www.digitalmanipulation.com) and Bert Monroy

(www.bertmonroy.com) for their help with all things 3-D and vector-related, and to

the wonderfully brilliant Veronica Hanley who sacrificed two days at sea in order to

make the vector chapter make sense! To Melissa Findley (www.wickedeye.com) for her

superb guidance on the painting chapter, and to photographer extraordinaire, Tony

Corbell (www.corbellproductions.com), for his guidance on the plug-ins chapter.

To my esteemed colleagues—and good friends—Andy Ihnatko, Ben Willmore,

Kevin Ames, Dave Cross, Larry Becker, Jack Davis, Terry White, Dave Moser, Matt

Kloskowski, and Eddie Tapp who all expressed how very proud of me they are and

who each, in their own special way, convinced me I could survive writing a book of

this magnitude.

A big thank you to all of my friends who continually gave their support when I

needed it the most: Leslie Raguso, Kathryn Kroll, Ruth Lind, Leslie Fishlock, Melissa

Olilla, J. Charles Holt, Erica Gamet, Sarah Friedlander, Kirk Aplin, Loren Finkel-

stein, and Lorene Romero, as well as the best mama a girl could have, Fran Snider

(wish Daddy could’ve held this book!). To my true love, Jay Nelson, whose respect,

support, and caring nature makes me strive to be a better person every single day,

and to our kitties, Samantha and Sylvester, who forced me to get out of my pretty

purple Aeron chair and play The Laser Pointer Game with them.

May the creative force be with all y’all! Yee-haw 

—Lesa Snider

xviii

P CS: T M M

Foreword

If there were ever a piece of software that needed the Missing Manual treatment, it

was Photoshop. And yet, despite having published over 100 books since I started this

series in 1999, we had never tackled Photoshop. It was the elephant in the room for

all those years, and it had been bugging me.

Frankly, we were terrified.

But no longer. In 2009, the beast was tamed at last by its new master, Lesa Snider:

a natural-born Missing Manual author with Photoshop credentials as long as your

arm.

She had worked on Missing Manuals, side by side with me in my office, for 4 years,

in all kinds of editorial and production capacities. And when she wasn’t at my place,

she was out in the real world, teaching Photoshop seminars, writing Photoshop how-

to articles for the Web, retouching hundreds of photos in Photoshop, and eventually

becoming a Photoshop master (which I would define as, “anyone who knows what

more than 50 percent of those 500 menu commands actually do”).

The result of all that training was that the Missing Manual mantra ran through her

blood: make it clear, make it entertaining, make it complete (hence the thickness of

the book in your hands). And above all, don’t just identify a feature: tell us what it’s

for. Tell us when to use it. (And if the answer is, “You’ll never use it,” tell us that, too.)

The resulting book, Photoshop CS4: The Missing Manual, was a critical and popu-

lar hit. And now Lesa is back, thank heaven, with a new edition to demystify Pho-

toshop CS5.

Now, I’ll be the first to admit that this book isn’t for everybody. In fact, it’s aimed

primarily at two kinds of people: Photoshop beginners and Photoshop veterans.

But seriously, folks. If you’re new to Photoshop, you’ll find patient, friendly intro-

ductions to all those nutty Photoshoppy concepts like layers, color spaces, image

resolution, and so on. And, mercifully, you’ll find a lot of loving attention to a time-

honored Missing Manual specialty—tips and shortcuts. As Photoshop pros can tell

you, you pretty much have to learn some of Photoshop’s shortcuts or it will crush

you like a bug.

On the other hand, if you already have some Photoshop experience, you’ll appreci-

ate this book’s coverage of CS5’s new features. Some of them are pretty sweet indeed.

(Content-Aware Fill, Puppet Warp, Merge to HDR Pro—mmm.)

In any case, get psyched. You now have both the most famous, powerful, magical

piece of software on earth—and an 800-page treasure map to help you find your way.

The only missing ingredients are time, some photos to work on, and a little good

taste. You’ll have to supply those yourself.

Good luck!

—David Pogue

David Pogue is the weekly tech columnist for the New York Times, an Emmy-winning TV

correspondent (CBS News and CNBC), and the creator of the Missing Manual series.

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