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Digital Image Compositing Fundamentals 无水印pdf
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Shelve in:
Graphics/General
User level:
Beginning–Intermediate
BOOKS FOR PROFESSIONALS BY PROFESSIONALS
®
Jackson
www.apress.com
Digital Image Compositing
Fundamentals
Digital Imaging Compositing Fundamentals is an introductory title covering concepts
central to digital imagery and digital image compositing using applications such
as Adobe Photoshop or the open source GIMP software. The book builds on the
fundamental concepts of pixels, color depth and layers, and gets more advanced as
chapters progress, covering pixel transparency using the alpha channel, pixel blending
using Porter-Duff blending and transfer modes, and digital image fi le formats and key
factors regarding a data footprint optimization work process.
• The terminology of digital imaging
• What comprises a digital image compositing pipeline
• Concepts behind digital imaging terminology
• How to install and use GIMP
• Concepts behind color depth and image optimization
• Digital imaging compositing support on popular open source platforms
• How digital image compositing is accomplished in Java, HTML5 and Android
9781484 216392
52499
ISBN 978-1-4842-1639-2
Digital Image Compositing Fundamentals
Copyright © 2015 by Wallace Jackson
This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part
of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations,
recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission
or information storage and retrieval, electronic adaptation, computer software, or by similar or
dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are
brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for
the purpose of being entered and executed on a computer system, for exclusive use by the purchaser
of the work. Duplication of this publication or parts thereof is permitted only under the provisions
of the Copyright Law of the Publisher’s location, in its current version, and permission for use must
always be obtained from Springer. Permissions for use may be obtained through RightsLink at the
Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law.
ISBN-13 (pbk): 978-1-4842-1639-2
ISBN-13 (electronic): 978-1-4842-4060-1
Trademarked names, logos, and images may appear in this book. Rather than use a trademark
symbol with every occurrence of a trademarked name, logo, or image we use the names, logos, and
images only in an editorial fashion and to the benefit of the trademark owner, with no intention of
infringement of the trademark.
The use in this publication of trade names, trademarks, service marks, and similar terms, even if they
are not identified as such, is not to be taken as an expression of opinion as to whether or not they are
subject to proprietary rights.
While the advice and information in this book are believed to be true and accurate at the date of
publication, neither the authors nor the editors nor the publisher can accept any legal responsibility
for any errors or omissions that may be made. The publisher makes no warranty, express or implied,
with respect to the material contained herein.
Managing Director: Welmoed Spahr
Lead Editor: Steve Anglin
Technical Reviewer: Chád Darby
Editorial Board: Steve Anglin, Louise Corrigan, Jonathan Gennick, Robert Hutchinson,
Michelle Lowman, James Markham, Susan McDermott, Matthew Moodie, Jerey Pepper,
Douglas Pundick, Ben Renow-Clarke, Gwenan Spearing, Steve Weiss
Coordinating Editor: Mark Powers
Copy Editor: Jana Weinstein
Compositor: SPi Global
Indexer: SPi Global
Artist: SPi Global
Distributed to the book trade worldwide by Springer Science+Business Media New York,
233 Spring Street, 6th Floor, New York, NY 10013. Phone 1-800-SPRINGER, fax (201) 348-4505, e-mail
orders-ny@springer-sbm.com, or visit www.springeronline.com. Apress Media, LLC is a California LLC
and the sole member (owner) is Springer Science + Business Media Finance Inc (SSBM Finance Inc).
SSBM Finance Inc is a Delaware corporation.
For information on translations, please e-mail rights@apress.com, or visit www.apress.com.
Apress and friends of ED books may be purchased in bulk for academic, corporate, or promotional
use. eBook versions and licenses are also available for most titles. For more information, reference
our Special Bulk Sales–eBook Licensing web page at www.apress.com/bulk-sales.
Any source code or other supplementary material referenced by the author in this text is available to
readers at www.apress.com. For detailed information about how to locate your book’s source code,
go to www.apress.com/source-code/. Readers can also access source code at SpringerLink in the
Supplementary Material section for each chapter.
Digital Image Compositing Fundamentals is dedicated to everyone
in the open source community who is working so diligently to
make professional new media application development software and
content development tools freely available to rich application developers so
that they can utilize them to achieve our creative dreams and nancial goals.
Last but not least, I dedicate this book to my father, Parker Jackson, my family,
my life-long friends, and my production ranch neighbors for their constant help,
assistance, and those relaxing, late-night BBQs!
v
Contents at a Glance
About the Author ���������������������������������������������������������������������������� xiii
About the Technical Reviewer ��������������������������������������������������������� xv
Acknowledgments ������������������������������������������������������������������������� xvii
Introduction ������������������������������������������������������������������������������������ xix
■Chapter 1: The Foundation of Digital Imaging: The Pixel���������������� 1
■Chapter 2: The Siz
e of Digital Imaging: Resolution ������������������������ 7
■Chapter 3: The Shape of Digital Imaging: Aspect Ratio
���������������� 15
■Chapter 4: The Color of Digital Imaging: Color Theory
����������������� 23
■Chapter 5: The Digitization of Digital Imaging: Color Depth ��������� 31
■Chapter 6: The Transparency of Digital Imaging: Alpha Channel ���� 39
■Chapter 7: The Isolation of Digital Imaging: Masking Tools ��������� 49
■Chapter 8: The Organization of Digital Imaging: Using Layers �������� 65
■Chapter 9: The Algorithms of Digital Imaging: Blending Modes �������� 79
■Chapter 10: The Modality of Digital Imaging: Modal Operation ������ 95
■Chapter 11: The Automation of Digital Imaging: Plug-In Filters�
������111
■
Chapter 12: The Work Process of Digital Imaging: Compositing ����� 123
■Chapter 13: The Data Footprint of Digital Images: Optimization ������ 135
■Chapter 14: The Automation of Digital Imaging: Programming ������ 151
Index ���������������������������������������������������������������������������������������������� 163
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