W W W . L - A C O U S T I C S . C O M
1/7
EN
Parc de la Fontaine de Jouvence • 91462 Marcoussis Cedex • France • Ph. : +33 (0)1 69 63 69 63 • Fax: +33 (0)1 69 63 69 64 • e-mail: info@l-acoustics.com
ARRAY MORPHING
FIRST LINE SOURCE ARRAY FREQUENCY RESPONSE SETTING TOOL
WHITE PAPER
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VERSION 2.0
VERSION 2.0VERSION 2.0
VERSION 2.0
Document reference: ARRAY-MORPHING_WP_EN_2-0
Distribution date: June 1
st
, 2012
© 2012 L-ACOUSTICS
®
. All rights reserved. No part of this publication may be reproduced or
transmitted in any form or by any means without the express written consent of the publisher.
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1 INTRODUCTION
INTRODUCTIONINTRODUCTION
INTRODUCTION
The LA amplified controllers provide libraries of presets dedicated for use of L-ACOUSTICS
®
products. A factory
preset combines the control of speaker parameters and the application targets of the speaker. As a result, a preset
allows the loudspeaker to match a given application when arranged into a given configuration. Multiple configurations
exist from single distributed to line source array systems.
However, as the number of available factory presets is not infinite, the frequency response of the system in use does
not exactly match each configuration and may need reshaping. This operation is easy to apply for distributed systems by
using discrete preset settings for each loudspeaker.
On the contrary, it remains harder to reshape a line source response which changes much with various configurations.
As preset parameters do not compensate for the laws of physics in array coupling, System Engineers have to re-tune
the tonal balance of their systems with no guidance.
As early as 1992, L-ACOUSTICS
®
identified the multiple factors governing the changes in the frequency response of a
WST
®
line source design [1-3]. With the evolution of DSP technology, L-ACOUSTICS
®
has now developed the
exclusive Array Morphing tool. It is part of LA NETWORK MANAGER software (version 1.2 and latest) and allows
quick, accurate, and predictable global settings for any L-ACOUSTICS
®
WST
®
system.
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2 PRESET CONSTRUCTION
PRESET CONSTRUCTIONPRESET CONSTRUCTION
PRESET CONSTRUCTION
2.1 Fundamentals
The final frequency response of a loudspeaker not only depends on the enclosure and transducer characteristics but
also on the preset which is the final electronic transducer optimization.
The preset contains the DSP parameters for controlling the bandwidth (shelving and X-over filtering) and power
resources for each frequency section. The goal is to optimize resources for each section by ensuring individual
transducer thermal and mechanical protection as well as offering the user the desired frequency contour for a given
application.
In this way, the preset contributes to the acoustic performance of the loudspeaker. These can be compared to the
motor of a car: this organ develops power. But a question remains: which envelope to choose to make the car
attractive and suitable for practical use?
While transducers and amplification define the power and the bandwidth abilities of the speaker system, the enclosure
design and the preset parameters optimize the acoustic performance. In addition, the preset includes complementary
EQ to provide the sonic signature of the loudspeaker (typically the sonic envelope for the application).
As a result, a preset construction addresses the acoustic performance as well as the sonic signature of a loudspeaker.
Both aspects are independent, since a speaker may yield excellent acoustic performance and poor sonic signature. The
contrary is also possible.
To obtain excellent results, it is necessary to take into account all the parameters governing the acoustics of a
loudspeaker system. These parameters are different for each system type, configuration and use. These parameters
have been identified and classified by L-ACOUSTICS
®
in the case of line source array systems.